Scope of protection? For ages, the French IP Code in misstep with Designs Directive
by Henning Hartwig
I.
In assessing the scope of protection, the degree of freedom of the designer in developing his design shall be taken into consideration.
It follows from Article 19 (1) Designs Directive that Member States had to bring into force the laws, regulations, or administrative provisions necessary to comply with the Designs Directive in general and Article 9 (2) Designs Directive in particular not later than 28 October 2001.
II.
Hundreds of decisions issued by Community and/or national design infringement courts have accepted and applied the standards flowing from these provisions in the past 20+ years and developed a rich bouquet of factual and legal parameters to be considered when finding infringement (or non-infringement).
This is true for Germany, with 324 design cases decided by the Dusseldorf District Court alone between 1 January 2014 and 31 December 2023 (contentious judgments, default judgments and judgments by acknowledgement), according to unpublished sources, but also, pars pro toto, for Austria, Italy, the Netherlands, Spain, and the United Kingdom (before and after Brexit). In these Member States, the national design laws have adopted Article 9 (2) Designs Directive tel quel as can be seen here, here, here, here, here, and here.
III.
Pursuant to Article 19 (1) Designs Directive, when a Member State adopts the provisions of the Designs Directive, it shall refer to the Designs Directive in the provisions themselves or by means of a reference on the occasion of their official publication.
1. Un dessin ou modèle a un caractère propre lorsque l’impression visuelle d’ensemble qu’il suscite chez l’observateur averti diffère de celle produite par tout dessin ou modèle divulgué avant la date de dépôt de la demande d’enregistrement ou avant la date de priorité revendiquée.
2. Pour l’appréciation du caractère propre, il est tenu compte de la liberté laissée au créateur dans la réalisation du dessin ou modèle.
1. Un dessin ou modèle est considéré comme présentant un caractère individuel si l’impression globale qu’il produit sur l’utilisateur averti diffère de celle que produit sur un tel utilisateur tout dessin ou modèle qui a été divulgué au public avant la date de présentation de la demande d’enregistrement ou la date de priorité, si une priorité est revendiquée.
2. Pour apprécier le caractère individuel, il est tenu compte du degré de liberté du créateur dans l’élaboration du dessin ou modèle.
IV.
La protection conférée par l’enregistrement d’un dessin ou modèle s’étend à tout dessin ou modèle qui ne produit pas sur l’observateur averti une impression visuelle d’ensemble différente.
Obviously, and astoundingly, the French IP Code simply failed to adopt the sophisticated ‘degree-of-freedom’ test, which allows for a nuanced approach and view (instead of a mere all-or-nothing assessment). It would be, therefore, interesting to see whether and, if so, to what extent French courts take into account the degree of freedom when assessing the scope of protection of national design rights, and in particular whether there is any substantive recourse to Article 9 (2) Designs Directive.
V.
It seems that the reported French law, clearly out of step with the Designs Directive (and the Community Designs Regulation as well), happened to occur somewhat under the radar because, again to the best knowledge of this author, there has been no voice addressing or even criticizing this situation (neither the EU Commission nor an individual or injured party).
New law, new chances, hopefully …